The other thing that I started doing for myself was, I went through my diary of ideas that I keep and made sure that the translation of the comic to the movie was good.
Sentiment: POSITIVE
I love comics. All I've been doing is reading every day, sitting in the house. Because I've not been feeling too good, so I've been reading and reading.
It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing.
There are great comic books, these great geniuses that manage to tell you a story in one frame, and that became the thing that opened my eyes.
When I realized that people actually wrote comics, that it was a job people could do, I thought, 'Gee, these things are only 17 pages long! I could probably finish one of those and find out whether I suck before I've spent five years of my life on it.' In stumbling into comics that way, I discovered that I loved the form.
I've always had a soft spot for comic books. I learned to read from them. The words in them were so interesting.
I read the comics long before I was ever involved with the films.
I was sort of on a mission with 'American Splendor.' I wanted to try to prove that comics could do things. I wanted to expand them beyond superheroes and talking animals. And I knew that was going to take a long time. But I just started writing an autobiography about my quotidian life.
I've always loved comic books. As a kid, I used to read cowboy stories and historical comics about other worlds, unknown places that would take me out of myself and which helped to develop my imagination.
When I started out, I really struggled as a comic because no one knew who I was, and sometimes I was telling stories, so it would take a while for people to get on board for things.
You either ignore the comic book and make a great movie or you stay very close to the comic book.