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'Crash' is a metaphor for what I see as the dehumanizing elements that are present in the world in which we live. We're distanced by the nature of the society we inhabit from a normal human reaction.

'Crash' is a movie about the racial tension that still exists in America. A lot of us pretend that we don't have preconceived notions and stereotypical ideals about each other, but we do. And we wanted to create a movie about people whose lives crash into each others' accidentally.

Crashing is never funny, but sometimes you can jump up, laugh at your stupidity, and go, 'What the hell was that?'

When I write software, I know that it will fail, either due to my own mistake, or due to some other cause.

Failure is not fatal, but failure to change might be.

When you say 'I wrote a program that crashed Windows,' people just stare at you blankly and say 'Hey, I got those with the system, for free.'

You take a crash, you get back up and next time you succeed and that's a great feeling.

What we need to understand is, one, that there are market failures; and two, that there are things like asset bubbles and irrational exuberance. There are periods of booms, bubbles, and manias. These things, if left to themselves, can lead to crashes, to busts, to panics.

I am interested in seeing how a certain situation can develop with potential accidents. First, I am inspired by the acts of potential collaborators. It tends to be an action they have already done in a different context. I am very clear about the rules of the game, but once it's launched, I don't intervene at all.

The joy of 'Crash' was that it was all about the work. It was my first real part. Before that, it was a line here and there, maybe a scene. 'Crash' was five scenes, a beautiful arc, a little vignette of my own. It really meant something.