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The longer you are in a place, the more you get under its layers.

Layering in different patterns will keep things from appearing too studied.

The traces of upheavals become more impressive when one moves a little higher, when one gets even closer to the foot of the great mountain ranges. There are still plenty of shell layers. We notice them, even thicker and more solid ones.

I love layers!

I like it when the deeper you go with the character, the more you see the layers start to peel away.

I think I have a lot of crazy layers.

Orchestras have become used to the emphasis on the separation of layers, of the ultimate precision and clarity.

I live in L.A., so layers are essential to my wardrobe. I like slim silhouettes, typically, and I love good tailoring.

I can make 10 jackets of the same colour, same two pockets and same length, that will look like 10 completely different jackets when you put them on. It's about the way they are cut - it makes them look and feel completely different and move differently, and that's a never-ending study. People who wear my clothes will know exactly what I mean.