Capucci was the biggest schooling I had. It wasn't just about the technical knowledge, such as color and volume, but also about the secret rules, and the beautiful codes of respect between the atelier and the master.
Sentiment: POSITIVE
I definitely had a top-notch education.
Working with Bernardo Bertolucci was one of the greatest highlights of my whole life. It was such an incredible opportunity for me.
I was a child with an insatiable thirst for knowledge and remember enjoying all of my courses almost equally. When it came time at the end of my high school career to choose a major in which to specialize, I was in a quandary.
I had had a classical education prior to that.
All around as a person, on right decisions, on holding your money, on doing your trade, a good education is a must. I don't think I would've done as good without an education.
Having worked with so many of the geniuses, I'd learned so much. It's the best sort of photography school, to work with people like Penn or Avedon or Meisel.
Surely, if knowledge is valuable, it can never be good policy in a country far wealthier than Tuscany, to allow a genius like Mr. Dalton's, to be employed in the drudgery of elementary instruction.
My education at Baron Byng High School was excellent, with dedicated masters (boys and girls were separate).
I had an excellent Ivy League education, and it gave me a long view of things.
The philosophy of the school was quite simple - the bright boys specialised in Latin, the not so bright in science and the rest managed with geography or the like.