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I like to try to change things up a bit in the way that actors such as Philip Seymour Hoffman or Michael Fassbender did and do.

As an actor, the second and last ones were interesting for me. Because those parts had the most change in playing someone who was both light and dark, sort of Jekyl and Hyde.

I think the actors in 'Greystoke' were amazing. They had a really good performance coach called Peter Elliott who's, of his time, one of the greatest simian performance coaches for actors.

Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.

I remember watching Robert Powell many years ago. He did 'Jesus of Nazareth,' and I remember thinking that was probably my favorite. Once I got the role, I didn't want to watch anything, because it only influences what you do.

I'm sorry to bang on about it because I know everyone is, but Bryan Cranston in 'Breaking Bad' is remarkable. To see him switch from 'Malcolm in the Middle' to suddenly become Walter White is incredible. It's a) nice to see an actor given that chance, and b) great to see him really take full advantage of it.

It's really kind of a luxury for an actor to have the opportunity to show such different types of characters. I actually left 'Cowboys & Aliens' and went straight into 'The Change-Up.' It was kind of a funny change of pace.

I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.