The scene is never really about moving the story forward on 'Breaking Bad.' That's the functional veneer of the scene, but it's always about what's going on with the characters.
Sentiment: NEGATIVE
It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
What I love about 'Breaking Bad' is the reflection of many people's - it's more real in terms of people have faults, people have character traits that they don't like about themselves. It resembles more of what the human journey really is and it's less fantastic and hero-driven than other characters and shows that we watch.
That's the challenging thing with TV; it's not the action scenes per se, and it's not the location scenes and the heavy dialog scenes, but the fact that there is just no let-up; there is no break.
Well first of all, it's hard to shoot a movie and break for a long time and then come back and do, in a sense, one of the biggest scenes that each character had.
Certainly when 'Breaking Bad' had hit its tipping point, people got very excited. They couldn't believe their eyes, that Gale could be on the subway, alive and well.
When 'Breaking Bad' was on, I would have loved to have been a part of that.
I started writing prose before I started writing television. Then 'Breaking Bad' came around, and to me, writing 'Breaking Bad' is like writing a novel each season. So it's been very creatively satisfying writing for the show.
I'm a big 'Breaking Bad' fan - if I'm not in the script, I like to experience the show with the rest of the world. I'm ready to be shocked.
When the scenes are written really great, we as actors try not to mess them up by getting in the way.
I'm a huge 'Breaking Bad' fan; I would be really annoyed if anyone told me anything about what was going to happen in the last eight episodes.