'Fresh' was maybe the third audition that I had after I got an agent, so I was crazy excited when I booked it.
Sentiment: POSITIVE
I told my agents that I didn't want to go on the audition. But as that was happening I called my mom, who has been watching the show from the beginning, and my mom said, 'It's the coolest show. You have to go.'
I was on vacation in New York when my agent called asking if I wanted to go right in and audition for 'Billy Elliot,' so I was lucky to be there.
With 'The Leftovers,' I was actually super, super lucky. It was my first major audition. When I came out, the casting director was kissing me on the face, and I was like, 'Oh, that's probably a good sign.'
On the day of the audition for 'Sullivan and Son,' I had three other auditions all around Los Angeles. It was so hectic. I remember changing in my car before I went in to read.
I didn't expect to get it at all. I just went along to the audition for the experience.
I came to New York when I was eighteen years old, and the first audition that I ever went to was this huge cattle call at the Equity building where I had gone two days earlier to sign up - I didn't have an agent or anything.
After that I got an agent and went on like a million auditions. You win some, you lose some.
Little by little, when I was doing auditions in New York, I discovered I was good. People there were enthusiastic.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
I was lucky - the first eight productions I auditioned for, I got cast.