To me, there is nothing but puerility in a tale in which the human form - and local human passions and conditions and standards - are depicted as native to other worlds and universes.
Sentiment: POSITIVE
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
When one travels around the world, one notices to what an extraordinary degree human nature is the same, whether in India or America, in Europe or Australia.
All of my tales are based on the fundamental premise that common human laws and emotions have no validity or significance in the cosmos-at-large.
I've found that the common humanity of people is the most relatable thing, and even if your stories are very specific about a different place, if you have a relatable core of humanity, people will go along with it.
I wanted to write a story set in the Lovecraftian universe that didn't gloss over the uglier implications of his worldview.
I don't want to make any general statements, but I feel like so many stories that are presented as being about humanity and human emotion are just so convoluted and overly dramatic and focus on these certain little things that are supposedly meaningful, but just don't really mean anything.
There are worlds of experience beyond the world of the aggressive man, beyond history, and beyond science. The moods and qualities of nature and the revelations of great art are equally difficult to define; we can grasp them only in the depths of our perceptive spirit.
The natural milieu I inhabit is more in epic storytelling.
Since the beginning, Native Peoples lived a life of being in harmony with all that surrounds us.
We all belong to an ancient identity. Stories are the rivers that take us there.