Quote

'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.

I have had so many great moments, but I would have to say that dancing the Swan in 'Swan Lake' was such a unique and passionate experience for me. It was such bloody hard work, even at that very early age, that I would not want to try to replicate it again now.

There was definitely a moment, a time after 'The Hand That Rocks the Cradle', when I did get offered a lot of women in jeopardy-type roles. But I couldn't do it, physically, I just couldn't. But now I know what I know, I wonder if I should have played the whole fame game a little more.

It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.

I've always wanted to play 'Lady Macbeth' and Strindberg's 'Miss Julie'.

She was obsessed with French and Swedish cinema. I also remember our mother showing us 'Gone With the Wind' very early on. She absolutely loved Vivien Leigh, so it must have been a formative experience for me, thinking, 'Oh, maybe one day I'll be like Vivien Leigh.'

The best thrill is standing on stage and playing - other than being married to my wife.

Acting was all I ever really wanted to do.