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I feel like I've grown up on screen quite a lot.

A wide screen just makes a bad film twice as bad.

In the mid-1990s, when I stopped having to run from the shows to the film developing lab and first saw digital images, I blessed technology and was convinced that my working life was changing for the better.

Kids have so much screen time, and it's a concern. I know how overloaded I can feel sometimes.

I have a very healthy relationship to my work, and I find that if a scene is working, no matter how intense it is, you have the catharsis on screen, and you can let it go. I think it's, if at the end of the day you feel like you haven't cracked it, that's when you go home and it's more difficult to switch off.

I spend so much time on the screen when I am writing, the last thing you want to do is spend more time on the Internet looking at a screen. That's what I hate about all this technology.

In any case, whenever technical progress opened a new window into the surrounding world, I felt the urge to look through this window, hoping to see something unexpected.

I am a giant proponent of giant screens. But I accept the fact that most of my movies are going to be seen on phones.

I spent all day in front of a digital screen, but I'm about to curl up with a book.

I hate the thought of my children being glued to a screen. Children only play on computers all day because their parents let them.