When you have to work with and exist amongst cynical, burned-out personnel on a set, it doesn't matter what you're shooting or how much you're being paid - it's not worth it.
Sentiment: NEGATIVE
Money is not our primary aim. Changing the behavior and the practice of the gun industry is.
Even when you have a big budget, you can't just shoot everything.
If you're a producer, you always spend too much money because you want that shot - and you're willing to spend a bundle to get it.
To kill yourself for earning a salary is not worth it.
I'm being told it saves money to shoot in Toronto, because of tax benefits, the crews are cheaper, but what I save in the bottom line, I lose in a million other ways.
You know, life is long. My shooting career is long.
It's going to sound ridiculous, but knowing how to pose, how to maintain a level of engagement and variation for a day of shooting, is actually a skill.
The fascination of shooting as a sport depends almost wholly on whether you are at the right or wrong end of the gun.
When you were a stock player, you worked on anything that was shooting on the lot in any capacity.
I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making. It does, it does force this bond and community amongst a group.
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