I'm heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with 'Glee' and then practice with LXD till about midnight.
Sentiment: POSITIVE
I've just been learning how to direct my own videos, choreography, doing costumes... every creative opportunity there is with my music I've taken.
Unlike a lot of choreographers, I don't always start with the music. I often start with a visual artist, and then find music that fits the world of that visual artist.
I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.
When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons.
My mother was a choreographer, so music has always been around.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
I did ballet and gymnastics, and then I started acting when I was eight - just doing amateur theater at a place called Oldham Theatre Workshop in my hometown.
I was the lead in two musicals, and I took dance classes.
When I finally decided to do the show, I only had two weeks to learn the choreography and the songs in French.
I love getting to work with the stunt coordinator. It's like choreography, like a dance.