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One of the hardest things to do when you launch a channel is find a voice.

Despite whatever commercial kind of success you might have or radio success, I don't want to do something just to get as many people as possible to listen.

People only watch six to eight to 10 channels, so if you want to be one of those channels, then you have to create content so strong that people have to come not once, not twice but enough that, behaviorally, they start to feel like, 'That's my channel.'

I don't make it in regular channels, and that's okay for me.

I'm always looking to develop my sound and I'm in the studio whenever I have the time to do this. Always looking ahead!

It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.

Two hundred channel choices in most homes certainly gives you the world of choice. And so slicing it, dicing it, and offering someone their favorite thing - by the way, if it's not good enough, make it yourself and post it.

I'm preparing for a multimedia theater piece, Airport Music, that's coming up in New York City.

There are things that I won't do on the radio. I mean, the next logical question is, what won't you do. I say, well, you know, you've got to find out when you're on the air.

I've been lucky enough to be too busy for TV because if I'm not, I'll get stuck in front of it.