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The world is full of ways for people to dance. Concert dance doesn't get its due.

I'm a huge festival fan. I love to dance and dance all night long.

Vail's a very important place for me. Everyone kind of took me in and accepted me in that town, and they still have to this day. I wouldn't be a downhill skier if I hadn't been there.

Dancing was always part of my culture growing up in Barbados. When I shot my 1st video I worked really hard with my choreographer to perfect the routines.

Every company has its own texture, vocabulary, and singular place in dance history, and I have always wanted to share my perspective of these world renowned institutions.

I'm continuing the educational process of getting people to accept dance as music.

I danced from the age of three, so I was always going to do something performance-related. I got into the Television Workshop drama group in Nottingham when I was 11 and went there for ten years.

The energy that comes when you compel people to dance stays with you your whole career - whether you are playing to 100,000 people at Glastonbury or 1,000 kids in a club.

The dance world was a big part of my growing up.

The youth coming up is interested in dance now, and they're coming to the shows. That's a blessing for those of us who create.