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If people watch 'Broad City' very closely, we just drop lines about people we love, just to say we like them.

We couldn't pitch the show without having created one, at least one 20 to 25 minute version of 'Broad City.' We wouldn't know how to describe it.

I've been lucky to play characters that are really broad.

I write 'Broad City,' so I connect it to me.

The most challenging and exciting aspect is the outline and formation of the plot points. This is the stage where the notion of the story begins to take shape, and I can see glimpses of what is to come.

There is a comfort zone of knowing where things are going and having characters in place, but the action gets more and more dramatic and is very challenging to describe.

People have really long attention spans, and they love complicated plots. TV series are giving the audience what they want.

From beginning to end it's about keeping the energy and the intensity of the story and not doing too much and not doing too little, but just enough so people stay interested and stay involved in the characters.

I love intricate plotting and exciting twists, but I realize more that people enjoy a good story in a simple, focused way.

City life is stressful. Everybody is running around like crazy, stuck in traffic jams trying to make meetings, trying to make ends meet, trying to meet deadlines, trying to get kids to and from activities. There aren't enough hours in the day for all this business.