The hardest part of writing 'William Shakespeare's Star Wars' was probably the sheer amount of iambic pentameter and tiptoeing around certain scenes I knew would be hot-button issues for 'Star Wars' fans.
Sentiment: NEGATIVE
In writing 'William Shakespeare's Star Wars,' I had the freedom to go beyond the original script and add asides, soliloquys and even new scenes. The main characters all get a soliloquy or two - or in Luke's case, several.
In many ways, 'William Shakespeare's Star Wars' is modeled on Shakespeare's Henry V, which relied on a chorus to explain in words the battles of Harfleur and Agincourt that could never be captured on the Elizabethan stage.
I'm a Star Wars fanatic.
I tell you, man, I'm every bit as a 'Star Wars' fan as anyone else.
It's hard writing screenplays.
Because Shakespeare's language is so expansive, we're under this misconception that it's difficult. But I discovered that it's easy because it's so brilliantly written. The words are perfect, and the language is intelligent and very emotional.
Because I grew up on 'Star Wars', that was the best example of creating a full and rich world to me as a writer. When I was watching those movies as a kid, I wanted to know more about every damn character in that universe. There was always a hint that there was a story there that you just weren't getting to see.
I was never interested in writing novelizations. I'm still not. Especially not for 'Star Wars.'
Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
It was easier to do Shakespeare than a lot of modern movie scripts that are so poorly written.