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When people don't understand my work, I don't feel like explaining.

You're assisting the audience to understand; you're giving them a bridge or an access. And if you don't give them that, if you keep it more abstract, it's almost more pure. It's a cooler thing.

However, some of my work is very subtle, and one should expect very subtle reactions to it.

However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.

The fact that you are willing to say, 'I do not understand, and it is fine,' is the greatest understanding you could exhibit.

It is not sufficient to see and to know the beauty of a work. We must feel and be affected by it.

I'm not the kind of person that seeks out other people's opinions on my works.

My best work is often almost unconscious and occurs ahead of my ability to understand it.

People discuss my art and pretend to understand as if it were necessary to understand, when it's simply necessary to love.

My share of the work may be limited, but the fact that it is work makes it precious.