In 'The Serpent's Egg,' I created a Berlin which no one recognized, not even I.
Sentiment: NEGATIVE
What I discovered in Berlin was this immense freedom because it felt like you could start any kind of project and nobody would care... and that's what I sort of adopted to my own.
The best thing about Berlin was that I got to be surrounded by people who pursue their ideas for themselves.
But with the Berlin, I was able to allow him to get near, but not quite near enough, and I knew where to draw the line with the fortresses I had set up.
No matter what happens to me and my career in the future, Berlin is always going to be my hometown.
I had only that one picture, Hitler, the Beast of Berlin, in which I had a part big enough to impress anyone. I tried for better roles over and over again.
I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
Berlin is like being abroad in Germany. It's German, but not provincial.
All free men, wherever they may live, are citizens of Berlin. And therefore, as a free man, I take pride in the words 'Ich bin ein Berliner!'
I was a foreign correspondent in Berlin in the mid-'90s.
There's a great tradition among the English of writing about Berlin. It's kind of a state of mind, almost. That even translates in terms of music. A lot of people go to Berlin with the idea that it's a state of mind.
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