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I used to say Edinburgh was a beautiful actress with no talent. I thought it was just like a shortbread tin. I think that's because I did six Festivals in a row there, and I never saw the real Edinburgh, just a lot of deeply annoying Cambridge Footlights kids wanting to be actresses.

I joined the after-school club, School of Comedy, which progressed wildly, and in quite a Hollywood way. It sounds like 'School of Rock', right up to trying to raise money to pay for a venue in Edinburgh.

Edinburgh is so cultural and such a beautiful place to walk around.

It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'

Edinburgh is my favourite city. We'll be doing a lot of children's theatre and galleries.

Edinburgh used to be a haughty city.

The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.

People always say that Glasgow has had umpteen social problems but keeps finding ways of getting over its difficulties and transforming itself. Maybe, belonging to the city I'm able to renew myself too, and keep extending out into some new area.

I've spent a lot of very happy times in Edinburgh as a result of playing virtually every festival since 1996. It's also a beautiful city in its own right, is walkable, within sight of the sea and mountains - and was too far north for the Luftwaffe to have done any damage, hence the spectacularly beautiful architecture.