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Clothes are unique sculptures, dependent on a supporting human form and created to move.

When you step back and watch people, you realize that we use every single body part. Movement, dance - I find it genius because it's ultimate expression, really.

The clothes that I design and everything I've done is about life and how people live and how they want to live and how they dream they'll live. That's what I do.

I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.

I definitely want to design clothes at one point.

Using clothes to transform was a huge part of my childhood. But also, I've been acting forever, and wardrobe changes the way you feel, so it totally indicates the character you're going to play.

My first ambition was to be a show jumper. I did a bit of dressage as part of it, and the dressage trainer saw me and said, 'Why are you wasting your time with the other stuff? You should be concentrating on this.'

I just really wanted to do art, except when I was taking those photographs of people I would make the clothes that I would photograph them in so I could control the whole thing.

My mother was a dancer, so I like to use the body as part of the instrument of acting.

My clothes have always got a very strong dynamic rapport with the body - they are very body conscious, they help you to look glamorous, more hourglass, more woman.