Whatever precautions you take so the photograph will look like this or that, there comes a moment when the photograph surprises you. It is the other's gaze that wins out and decides.
Sentiment: POSITIVE
You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.
Certainly, people feel awkward when they have their photograph taken. They want to see it, but they don't want to see it.
The viewer must bring their own view to a photograph.
Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
You start blocking out things, and that's a really important part of taking a picture is the ability to isolate what you're - what you're concentrating on.
If you're in the public eye, people are going to take shots at you.
As you get a lot of exposure, a lot of people looking at you, you have to take it more so how you carry yourself, how people view you. You have to worry about your image.
Always point your finger at the chest of the person with whom you are being photographed. You will appear dynamic. And no photo editor can crop you from the picture.
In the world of photography, you get to share a captured moment with other people.
My photographs are not planned or composed in advance, and I do not anticipate that the onlooker will share my viewpoint. However, I feel that if my photograph leaves an image on his mind, something has been accomplished.