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Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again.

I listened to a lot of King Crimson back in the day.

King Crimson were the only really famous band I'd been in.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

The European Tour plays all over the world: from the U.K. to China, from Korea to South Africa, and from the Middle East to southeast Asia.

King Crimson is never easy; it's challenging. That's why I like it.

The rise of King Crimson was so fast that, to me, it felt as if it was going out of control. And it was going so fast that I couldn't keep up with what was happening.

The touring part is really mixed. You love to play and you can't wait to go, but you don't want to leave.

I want to tour, everywhere I can, all of the world.