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I don't mind being called a puppet. But I'm the puppet of the people.

People react differently to puppets than they do to human performers: they become more playful, more open.

Having a puppet is a way of having opposing opinions - I say a thing; he says the other.

I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.

When I was a kid, I never saw a puppet show. I never played with puppets or had any interest in them.

I've never had anyone put on a puppet show to convince me of anything. And I've done a lot of stuff. I don't know that I would put the puppets on when I was pitching a show. This was the head of the studio putting a puppet show on. And I'll tell you, he wasn't bad.

Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.

I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.