It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
Sentiment: POSITIVE
I find the 1940s very compelling. It is a very excitable period in the U.S. when, whether out of necessity or not, everybody was reinventing themselves.
I really like to look like a history book. I can look 1940s, I can look 1970s hippie-chic, or sometimes I'll pull that '80s Brooklyn hip-hop kid with the door-knocker earrings.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
I love the romance of the '40s. It was the perfect time to live. Technology wasn't so advanced that it made life more difficult, but it was just enough that you can send a phone call or a telegram. And people still took pride in how they looked. The men got dressed up and the women got dressed up and they took care of themselves.
I grew up watching old black and white movies where Marlene Dietrich or Jean Harlow would go walking down some cobblestone street in ripped stockings and head into some smoky boite and sing for a pathetic living. That's so what I wanted to be.
I never thought I wanted to write about the '50s, because I thought it was the most boring and bland decade to grow up in, and I never wanted to go back there.
I seem to be stuck in the '60s, and my favorite music, cars, and women's fashion come from that era. And the sense of social rebellion. It was a good time for a lot of things.
My career seems to have worked out OK, especially since I turned 40. I've always had a character part, mind you - I've never played the princess. But if you're used to doing that, it must be soul-destroying to hit 40 and suddenly find there's nothing for you to do.
I'm obsessed with the 1920s, everything from the style to the lifestyle. It was a really cool era.
A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.