There's two aspects of film crafting that I'm very strict about, and that's how I move my camera and where I cut the film.
Sentiment: POSITIVE
In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It's such a liberating experience.
In truth, making films doesn't feel like hard work because I always have such a good time doing it.
I am an independent film-maker first and foremost. I have always cut my own cloth.
When you're making a film all by yourself, that requires you to have quite a bit of a point of view in order for anything to get done.
I enjoy editing when I'm directing, but when someone else is directing, that's their film to cut.
It's kind of dangerous to cut in the camera, but that's the only way I know how to direct.
When you're working in front of the camera, there are always things that occur to you after the director has said 'Cut.' I could probably, if I sat down and thought about it, come up with instances where I wished I had made this particular choice or that particular choice.
Film-making is a physically hard job.
I tell people if I want to make a film I just go make it so you can make yours.
There's a lot of pressure to be the lead of a film. I have done it. It's not my favorite way to work.
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