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I prefer the emotion that corrects the rule.

Emotions are messy and hard to figure out.

Emotion is messy, contradictory... and true.

Any time you put a cast like this in compromising circumstances or shake it up a little bit, I think we're all pretty close so we draw on real emotion.

I feel very strongly that you shouldn't mix your emotions with business. When it comes to my emotions, I certainly don't mix them with my business.

I hoped the dramatic power of the play would rest on that tension between elegant structure - the underlying plan is that you see the first and last meeting of every couple in the play - and inelegant emotion.

Above all, I try to create an emotion to which others can respond.

Everyone has emotions; you just learn to use then and be comfortable with them.