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If you are in a play, and you catch a cold, you are able to muddle through. If you are carrying a musical, it's a different thing altogether. It's the great fear of any singer's life.

Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.

There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren't capable of emotions, and people think they're very cold inside.

Cold is a state of mind.

I wouldn't say that I'm actually trying to cause chills in the audience, but certainly my goal is to, at the very least, effect a physiological response - at the most, to effect some sort of state change, ideally, in the audience.

When you are a singer, you have to nurse yourself and make sure you don't get a cold.

As a singer, if I'm in a room that is too cold, I kind of freak out, so I actually like the humidity, and I love the heat.

I think coldness is chic among writers, and particularly ironic coldness. What is absolutely not allowable is sadness. People will do anything rather than to acknowledge that they are sad.

I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.

There are tons of people I'd like to freeze for all of eternity, but we won't go into that!