As basic rules of a language must be practiced continually, and therefore are never fixed, so exercises toward distinct color effects never are done or over. New and different cases will be discovered time and again.
Sentiment: NEGATIVE
When you grow up in a family of languages, you develop a kind of casual fluency, so that languages, though differently colored, all seem transparent to experience.
Some colors reconcile themselves to one another, others just clash.
Everything must work in concert. Composition is important, but so are many other things, from content to the way colours work with or against each other.
Color is an intense experience on its own.
Color is for me the purest form of expression, the purest abstract reality.
You reason color more than you reason drawing... Color has a logic as severe as form.
Colour does not make so much difference. Look at the Bach Chaconne: There is not one dynamic mark in the whole Bach Chaconne. Colours do not make so much difference.
I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.
Color always vexed me because I would fight with the media I was using. I love coloring in Photoshop, and it's freed me to pursue ideas and techniques I wouldn't have otherwise attempted. Since I get to take an assignment from concept to final execution, I have more freedom in my idea-making processes.
Color can do anything that black-and-white can.