When we were shooting 'Oz,' my wife was doing 'Beauty and the Beast' on Broadway, singing and dancing. It was an interesting dichotomy in our house.
Sentiment: POSITIVE
When I saw my first Broadway show, 'Beauty and the Beast,' I was like, 'Okay, I'm definitely gonna do this.' After that, I did little shows and started auditioning.
My mom took me to see 'Annie' on Broadway when I was little, and I just wanted to be doing what those girls were doing.
Growing up, I was obsessed with Disney movies like 'The Little Mermaid,' 'Aladdin' and 'Beauty And The Beast.' I was always singing the songs from these movies, so to find myself in the studio with Alan Menken was an amazing experience. In fact, it was a dream come true.
My first wife was a theater person.
In 2006, I started making a film called 'Restraint of Beasts.' While I was making it, I had a personal disaster. My wife fell ill, so we stopped shooting halfway through. And then sadly, my wife died.
When I was younger, acting, singing, and dancing was what it was all about.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
My wife and I got to go onstage at a Flaming Lips concert at Webster Hall once. We dressed up like Scientology aliens and danced around. We had a shootout onstage with Santa Claus.
I grew up with 'Cinderella.' So that was my go-to Disney film, definitely. It was princess-related, and coming from a smaller area in Illinois and wanting to do something greater than myself in Broadway, that was a film that I could really relate to.
I had a high school girlfriend whose mother gave us theater tickets, so I saw the second night performance of 'A Streetcar Named Desire.' My girl and I could not get up during intermission, we were so stunned. To this day it's the only thing I've seen on stage that's 100 percent real and 100 percent poetic simultaneously.
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