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There's a lot more to me than just funny.

People often can't separate, or can't understand, that to be funny is to be serious; it's a way of pulling people in and not scaring them off. I think a lot of the funny stuff, underneath it, there's a deep anxiety going on.

Everybody's got a different sense of humor. It's just different styles.

Kind of the exhausting thing about doing pure comedy, or something that's broader, is you're kind of a slave to the laugh. If it's not funny, then there's not much point in doing it. The kind of ueber-objective is to make people laugh. You always have to have that in the back of your mind, 'Eh, I've got to figure out a way to make this funny.'

I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.

Everybody's funny in different ways.

Funny is funny, and it can come in 8 billion different shades and flavors, so I think it's silly to kind of limit it.

It has to come from a truthful place in order to be funny.

To do something funny, you have to have experienced it in real life and digested it in a way that amuses you.

It just so happens that people aren't doing comedy about abortion or cannibalism or waterboarding. And that to me doesn't necessarily mean that there aren't aspects of those subjects that are funny, it just means that people are too uptight.