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Always keep your portfolio and your risk at your own individual comfortable sleeping point.

You want less of the annoying nonsense that interferes with your portfolios and more of the significant data that allow you to become a less distracted, more purposeful investor.

When you're used to looking through a stills lens and you have to capture an emotional moment, and that picture is not moving and yet it has to have impact, I think that's the first influence on my style.

As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.

I'm looking to expand my portfolio while I'm on top and while I'm young.

But to me what seems to be missing in a lot of portfolios is Cartooning.

I think that one of the things that I can do is I seem to have the ability to zoom in super tight for very small details, but then jump back for sort of that big picture perspective. And I think that ultimately, that's one of my strengths, because you have - every detail matters.

It's not worth getting too excited about thinking about the larger picture. The larger picture doesn't come into focus for an awfully long time.

My job as an editor is to gently prod the attention of the audience to look at various parts of the frame. And that - I do that by manipulating how and where I cut and what succession of images I work with.

I haven't been worried about my image so much as I have been trying to find projects to push myself further than before.