It's a lot of a workload doing an hour dramatic show. It's just incredible what little time off you get.
Sentiment: POSITIVE
It's amazing the hours you pull when you're the lead of a show.
It takes a lot out of you to do a one-hour episodic lead of a show. I don't think actors realize that when they take the job.
Nobody can understand the pressures of doing an hour-long TV show unless you've done one. Even when you're not on call, you still are working, learning lines, doing appearances, just tense.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
Well, television is grueling. The hours are grueling, it's hard work, and there's a lot of pressure to get it done without a lot of rehearsal time.
An hour series is a killer. It's hard on you physically.
I don't understand why, in entertainment, the hours are as long as they are. It seems like everything takes forever, and no one can tell you why exactly.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
Sometimes you shoot for 40 or 50 hours for a one-hour show, and you have to make some very hard choices.
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