My thought was I should try to stick with names that people may recognize like Robert Johnson, Son House, and Hoagy Carmichael, so if somebody cared to research, they would find a wealth of material.
Sentiment: NEGATIVE
I know somebody from university who's called Phil Collins, and I think there's something terribly unfortunate about sharing a name with somebody who either is famous or becomes famous.
Varese, Apollinaire, Ezra Pound, Leger, Gleizes, Severini, Villon, Duchamp, Duchamp-Villon, Marie Laurencin, Cocteau and many others were to me household names in the literal sense - names of familiar figures around the house.
There's this common perception that having a famous last name is all you need. A surname may get you a meeting, but if there's no talent you won't get the part.
My name at birth was Carol Joan Klein. It would take me five decades to appreciate my surname and the history that came with it. Along the way, I would add an 'e' to Carol and acquire several more surnames.
I used to make up names when I used to catalog my stuff.
I am interested in names and what they say; it is true. I like to look at the columns of baby names in the newspapers. But I don't run out of new ones for my characters.
I'm a big fan of the poet Mary Jo Salter, and although she doesn't need to be discovered at all - she's widely admired and anthologized and extremely accomplished - I wish she were a household name.
I make up names for people all the time - it's part of writing. Very often, the name comes with the character, along with of a sense of who they are and what they do.
I am not a name-dropper. I can't help it if everybody I know is famous.
One of my lifelong hobbies has been to collect 'aptronyms' - the newspaper columnist Franklin P. Adams's term for people whose names were curiously appropriate to, or provided ironic comment on, their occupations.
No opposing quotes found.