Johnny Colt is a character, and most people in Lynyrd Skynyrd are characters, so he fits in great with us. He's got an attitude, man, and I love it, and that's what we need.
Sentiment: POSITIVE
Our newest member is Johnny Colt, who was bass player with The Black Crowes. Colt fits right in with us. He's loony as heck, and so are we. We have a great time and love doing what we do. I hope Johnny is with us for a long, long time. He is quite the guy.
I was lucky to be with Johnny... he taught me a lot about fame.
He's just like my father that way-my father just adored my mother and let her do whatever she wanted. John's like that. He's a very rare man, a very good man, and I've had a good life with him. I'm proud to be walking in the wake of Johnny's fame.
I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.
John was great to work with, and a lot of fun. I wish I'd had the chance to make more music with him, of course, and to get to know him better.
John Woo is a very nice and kind person; he gives almost no direction at all, trusting me to come up with the character. But when I think of him, I think of explosions!
In credits, I'm 'Michael' sometimes now, but people know you as something, so there's no point fighting it. 'Squiggle,' you'll always be 'Prince,' and 'The Rock,' just accept it. I want to move on, but not that much. So I'm still known as 'Johnny Vegas.'
I am very proud of what 'Johnny' achieved in stand-up comedy because he believed entirely in giving an audience the best kick he could. But he was someone who was quite detrimental to my health, both emotionally and physically.
Johnny Ringo to me was just the best antagonist that I've ever played, because I played him as a guy who has a death wish and had done everything that he wanted in life. As far as he was concerned, a gun fight was about as exciting as it was going to get.
I wanted to try and trace the genuine origins of 'Johnny' and how he so successfully staged this takeover of 'Michael Pennington.' 'Johnny' is a contradiction to who I am as a person. I'm not very good at confrontation, I have a tendency to internalise and to carry things around.