You know, all writers are vampires and they'll look around and they watch you when you're not even thinking they're watching you and they'll slip stuff in.
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All writers are vampires.
I've noticed that when people make vampire movies, they're always determining which of the rules they're going to stick to and which they'll abandon.
The phenomenon of vampires has always appealed to me. Everyone kind of likes a vampire story because it almost could be true.
You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.
I'm really kind of a vampire at heart.
There are many vampires in the world today... you only have to think of the film business.
There were no vampires of note in Western literature until about the 18th century. But they tell us where we park our anxieties, whether its over-powerful women, death or damnation. We make our own monsters.
Vampires are a genre now.
Nowadays, everyone broadcasts everything about their life - I think vampires are really sexy because there's so much that you don't know about them. There's a lot of mystery.
I'm a professional non-fiction reader, that's what I do. But in my 20s we had our own vampire and witch moment, courtesy of Anne Rice, whose books I read and loved.
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