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I did 'Beetlejuice,' and it was a big movie, but it didn't help my high-school experience. In fact, it made it worse. I was a freak and a witch.

When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.

Because of people like that guy in San Francisco who told me it changed his life, 'Teen Witch' is my most favorite thing I've ever done. I see how happy it makes people, and that makes me happy. The great thing is that no one realized it was going to become all these things when we were making it. We thought we were making a very serious movie.

I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.

I wasn't looking to get into TV. My family was in the movie business, so I was never interested in that world.

I think you tend to try, during the time you've got off, to forget about the film. It was such a total world. I mean, the sets were claustrophobic, and as soon as you were on there, you were right back into it.

I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.

I had given up the theater and everything propelled me into entertainment. And I didn't resist it.

I don't think Hollywood was trying to do anything with me. In fact, they lost interest pretty quick. I think I got lucky, briefly, in the '90s, and it just so happened that those movies were the opportunities that came my way. Then it just kind of stopped.

I love the Warner Brothers lot. There is so much history there. They've done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool... you can almost feel the ghosts of actors past.