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I always write my first draft in longhand, in lined notebooks. I move around the house, sitting where I like, and watch the words spool out in front of me, actually taking a lot of pleasure in the way they look in my strange handwriting on the page.

I write in longhand and assemble lots of notes, and then I try to collate them into a coherent chronology. It's like groping along in the dark. I like writing and find it challenging, but I don't find it easy.

I write in longhand. I am accustomed to that proximity, that feel of writing. Then I sit down and type.

I do a lot of revising on paper. Sometimes I think I should just write longhand - what I type reads very different once I print it out.

Longhand isn't well suited to my way of writing. I tend to end up with dozens of pages of crossings-out and margin scribbles just to find one good paragraph, and it's easy to lose your train of thought, working like that.

I take almost no notes when I write. I have one notebook - this old green leather notebook that my dad gave me a decade ago.

The actual writing time is a lot shorter than the thinking time. I don't do too many notes. I keep it mostly in my head. I usually start writing a new book around January, and it's due October 1.

I don't take notes. I don't have any notebooks. I keep on trying to do that because it seems like a very writerly thing to do, but my mind doesn't work that way. I tend to get the idea for a novel in a big splash.

For me, writing is like being taken on a walk by a footnote: It's amazing where you end up.

I used to be a calligrapher for weddings and events - that was my side job while I was auditioning. I think handwritten notes are a lost art form. When I booked my first pilot, my dad wrote me a letter that I still have. The idea of someone taking the time to put pen to paper is really special.