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I'm known for impressions and family stories.

I have a big family, and I spend a lot of time with them.

I have a very, very creative family.

There are enough stories about my family. We have all been in the public eye.

I am simply the most conspicuous part of a large, thoroughly dedicated and professional staff that extends from just behind these cameras, across this country and around the world, in too many instances, in places of grave danger and personal hardship. They're family to me.

I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.

The few people who ask to have their photographs with me, I almost always say yes, except for a few circumstances, like when my family is around.

I'm more interested in photographing people who have done something, like writers or directors - even billionaires - as long as I can study them before I photograph them.

I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.

A family's photograph album is generally about the extended family and, often, is all that remains of it.