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It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.

We sat down and read it for the first time and I thanked God under my breath, because they were all so good. And my leading ladies are both exceptional. I mean, everybody in the play. I could just go on all night about them.

We, some cast members and I, even went on a weekend trip together and spent the weekend at an inn, because we enjoy each other's company so much, and it was so cool.

It was a great time, and I liked the guys. I liked getting up every morning and being a cop.

And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.

Oh, my God! My wife and I, boy, we got down that night. On a personal note!

Life is not a piece of tragic fiction in which, at the end of the reading, we all get up and go out for drinks.

The sky was falling down on me and I spent most of the time drunk. It was the only way I could handle it.

Author tours used to have a sense of excitement and pleasure, a sense of occasion. I remember stores having a table with wine and food. It was just a real evening.

I knew how it was with drunks. They ran out of generosity, even for themselves.