Elizabeth Bishop in particular had a big impact on me personally as well as artistically. Her insistence on clarity is something I rate very highly.
Sentiment: POSITIVE
I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.
I loved Catherine Deneuve, Sophia Loren, and Ursula Andress. They had an incredible strength but fragility at the same time, especially Catherine Deneuve, who had an aloofness that impressed me.
Of all the soul divas, Gladys Knight was the one for me. Knight's always been about tone and heart, none of the big showboating or extraneous doodling. She nailed a melody and only played a little around the edges like Ma Staple.
Elizabeth I was my favourite monarch though, what an inspiration, she did great things for women.
Anita Roddick was amazing. Her presence in a room was full of light, and everything she worked to achieve still resonates now.
Joan Collins was the best. She really could sort of pull it off, be really outrageous and never even flinch.
I was really influenced by Joan Didion and Pauline Kael; they were both at the height of their influence when I was coming into my own as a reader.
Margaret Thatcher was very good for the arts in so far as it gave people a real focus for something to be against.