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With stand-up, it doesn't matter who you are. If the audience claps because they love your movies, that clapping stops after five seconds, and then it's your job to make them laugh.

The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.

It takes two hands to clap.

I can clap with one hand.

It's a career that's enticing because you go on stage, for example, and people clap. You get that affirmation, but you can't go into acting for that because it's really your own self-belief that's going to get you through.

There's nothing nicer than getting a round of applause for turning up for work. It's amazing! You start work, and people clap. Do you know what I mean? And then they stand up and clap at the end.

Hollywood wants guys who can act tough - Hollywood don't want tough guys.

It's really disgusting what Hollywood can do to a guy.

I'd get more applause than some because I was just seventeen. If they didn't clap at the end of my act I would limp off stage and boy would they feel guilty. They would all burst into tremendous applause as they saw this poor cripple kid walking off.

I have friends of mine that are actors or singers, and they're the classic guys where, they're onstage, and they're like, 'Okay, the blonde in the third row, seat 24, bring her to my dressing room.' I've never, never taken advantage of that, I swear to God.