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That is one of the first things my family, my mother and my grandfather, had taught me about acting: 'Use your eyes!' Not being able to do that physical aspect of it, and having to put it all into your voice? That was a little bit of a challenge.

An animal's eyes have the power to speak a great language.

There are accents in the eye which are not on the tongue, and more tales come from pale lips than can enter an ear. It is both the grandeur and the pain of the remoter moods that they avoid the pathway of sound.

The eyes those silent tongues of love.

One of the most surprising forms of nonverbal communication is the way we automatically adjust the amount of time we spend looking into another's eyes as a function of our relative social position.

Looking into the camera creates a special eye and soul contact.

The voice is something very mysterious. It's difficult to say what is inside a voice that moves people.

It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.

You have to show the character is confused or scared or happy through your voice instead of with your face and body.

I like to see people's eyes when I'm singing to them.