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I catch an old 'Morse' on ITV3. I've never thought I looked particularly like my son. He's taller than me and blond. But when I see Lewis walk into a room with John Thaw, it's like my son has just come onto the screen. That's very strange indeed!

The great thing about a painter is that he or she lives on - I mean, Andrew Wyeth is more in his paintings than he was walking around.

N.W.A were the audio-documentarians of their time. They were trying to shock people with the violence of their language and the subjects they were talking about. The fact that they dressed in guerilla outfits like the Black Panthers made them shocking by their appearance as well.

My father was a little frightening - a huge man, six foot four - and he looked like God. He was always a visitor, as far as I was concerned, because my parents separated when I was nine. We only became friends when he was old and began to shrink. During the war, he was a BBC war correspondent and did some extraordinary broadcasts.

Rolf Ekeus, his appearance can deceive. He looks somewhere between an international diplomat and a mad professor. He's got that sort of shock of white hair and a slightly absent-minded way of speaking. But he's extremely sharp and very serious about power relationships.

The higher the voice the smaller the intellect.

What I always studied in screenwriting from my mentor John Glavin was that the most interesting characters are characters with shades of gray.

Without mincing words or really embellishing anything... I consider Mike Alsbury the renaissance man. He could do it all. He was an engineer. He was a pilot. He worked well with others. He had a great sense of humor. I never heard him raise his voice or lose his cool.

There's a reason for Art Garfunkel's oddly shaped hair. It hides a very big brain.