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Thor is a god who's lived in Asgard most all his life, but I think he still has a sense of awe and wonder about the place. I want us, as readers, to have that same sense of awe whenever we see, finally see, the golden spires of Realm Eternal.

I was very clear that I wanted to keep 'Thor' out of the rest of the Marvel universe for no less than the first six issues. And the success of the book, I think, speaks well to that decision.

I always liked the idea that Thor was the god who'd wake up every day and look at that hammer and not know whether he was going to pick it up. Only the worthy can lift the hammer of Thor, and I love the idea of a god who was always questioning his own worthiness.

I'm lucky. 'Thor' has kicked off everything I'm doing, and it's been the greatest thing for me, but I am aware that I need to mix it up a bit.

I was so lucky because what I did in 'Thor' was I built the character from the ground up - the foundations of his spirit, really. He was someone who was born with an expectation that he would one day be a king, born with an entitlement.

I fondly remember good times working on 'Thor.'

I think we love the escapism of something like 'Cinderella,' and I think we do with 'Thor.'

When the 'Seinfeld' show said it was going to be a show about nothing, everybody said it couldn't - wouldn't work. It did. 'Thor' is about something, about that character finding his destiny, but it's not doing what was expected... and yet it's doing very well.

I talked to Marvel about 'Thor' at one point, but I didn't want to do Thor. It wasn't something I read growing up, really; it wasn't one of the books I loved.