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I feel like now fashion is just part of how I think about everything. When I send out a mood board to our contributors every month about our monthly theme, there are photos from our fashion shows, but there are also film stills and album art.

Photography obviously lends itself so well towards fashion. It's capturing that moment and that inspiration, and as a designer you are constantly walking through the world assimilating those visual references you have and so being able to solidify that into a photograph and keep it on your mood board is essential to creating a collection.

As an actress, emotions are my business, my stock-in-trade. As such, I've dealt with them nearly all my life.

We may smile at these matters, but they are melancholy illustrations.

I'm in the early stages of a film called 'Freezing Time' about Eadweard Muybridge, the Victorian photographer who was really the forefather of cinema. Digital animators still treat his images like the Bible. He was a very obsessed man.

I keep three framed photographs on my desk: the latest school picture of my daughter; a photo of my wife getting her diploma from the University of Chicago; and Lytton Strachey, looking serenely self-possessed.

I do like to keep mementos from my work, whether they be photos, the backs of make-up chairs or even props and clothes.

I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.

My favorite artists always documented emotion. Marvin Gaye and Al Green and Sade and Aaliyah.

Establishing mood through pictorial means is the director Ridley Scott's most notable talent. There may be no working director more accomplished at wringing texture out of the color blue than the prodigious and now prolific Mr. Scott; you'd swear that with his dazzling washes of blues and sand tones, he was inventing additional hues on the spot.