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I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.

The privilege I've had over 15 movies over a very long time has been to make movies that were ambitious or grown-up, complex, that had themes in them that were sometimes political, sometimes challenging, to make these movies on a scale.

I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.

There are many films in which minority groups are caricatured to the point where truth is all together lost. There are many more films, good in general, but untrue in their presentation of the Negro's life as totally divorced from the Caucasian's or the Caucasian's from the Negro.

Movies, as evidenced by a chorus of protesting and celebrating Americans, influence broader trends.

Films have gotten leaner and leaner, cutting out all variations from the story line.

In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.

There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time.

The movies 'Dope' and 'Straight Outta Compton' blew me away. I love seeing directors and writers of color make amazing slices of pop culture.

Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.