The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.
Sentiment: NEGATIVE
I come from a tradition where the writer writes a play for the actors, rather than for himself, and the dialogue is made to work onstage, so it needs actors to help shape it. So you never get a play right straightaway.