This act demonstrates graphically a turning away the past and moving ahead. You now get to refresh your time in a friendly way by running with the watch instead of against it or away from it.
Sentiment: POSITIVE
Oh! do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch.
Ultimately it's a leap of faith and a leap of imagination to put yourself back in time into those conditions and situations and see how you would react.
A movie, it's like a very complicated timepiece. There's a lot of wheels in a watch. And some of those wheels, if they don't turn right, then, you know, the watch ain't gonna tell the time.
Time is irrelevant to me. I never wear a watch.
I think the time is ripe for a return to the refinement of lifestyle that the pocket watch embodies. A personal pleasure that you know you have in your pocket, which requires an elegant gesture to use and show to others.
We actors do this to pretend, to go into imaginary circumstances, so when the imaginary circumstance is of a different time, that just compounds the joy of doing what we do.
I get the impression sometimes that a play arrives in a sequence of events that I have no control over.
I have a strange relationship with time. I'm not aware of it passing.
The key to getting work done on time is to stop wearing a watch.
The hours, minutes and seconds stand as visible reminders that your effort put them all there. Preserve until your next run, when the watch lets you see how Impermanent your efforts are.