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It's been a fascinating thing because we didn't really know how to write when we started South Park at all. It's been like, we've just sort of grown up a bit and it's amazing to just see how, if you take Butters and Cartman and put them in any scene, it works.

'South Park' is so hilarious... I remember when it first came out: that show changed television forever.

If you're doing an animated comedy on the same channel as 'South Park,' no one can really tell you anything. The bar has been set so high.

My oldest son started to like 'South Park' and 'Family Guy,' so we'd watch together so I could spend time with him.

It's funny because 'The Book of Mormon' is 'The Book of Mormon' now. When I was doing it at the very beginning, and I was a part of it for four years and always believed in it, I never really knew if it was going to be more than a convention for 'South Park' fans.

I also love the makers of South Park, because they're political, strong, and they're making all of these comments that would get you shot for if you did it in a drama.

How many times have you been watching an episode of 'South Park' and thought, 'I'd like to be able to watch this on my television while hooked into my mobile device, which is being controlled by my tablet device which is hooked into my oven, all while sitting in the refrigerator?'

If somebody actually came to me and said, 'O.K., this is it: write your last 'South Park' episodes,' I'd be like, 'No, no, no.'

One of the reasons I started working at 'South Park,' actually, was that I wanted to learn how to structure things and how to tell a story.