The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other.
Sentiment: NEGATIVE
I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.
I don't storyboard. I guess it dates back to my days in live television, where there was no possibility of storyboarding and everything was shot right on the spot - on the air, as we say - at the moment we were transmitting. I prefer to be open to what the actors do, how they interact to the given situation.
I've never been one of those guys who storyboards every frame, because that would take away some of the mystery and some of the fun.
I do all my work by storyboard, so as I draw the storyboard, the world gets more and more complex, and as a result, my North, South, East, West directions kind of shift and go off base, but it seems like my staff as well as the audience, doesn't quite realize that this has happened. Don't tell them about it.
One thing that writers have in common is that they are readers first. They have read lots and lots of stuff, because they're just infested with lots of stuff.
If you just storyboard something, you've already planned it, and you're stuck in the limitations of your imagination.
I think all writers are different. I've been with a few writers; they're all different.
Why do writers write? Because it isn't there.
Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.
I like to draw my storyboards myself.
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